Zadkiel: Greetings it is I Zadkiel. We’ve talked previously about sound and how these sounds also contain light, color, and geometrical configurations. I want to add a little of that into the mix today. If you are working in the dismantling process, adding certain tones and sounds is very helpful. As you add those tones with intention, it enhances the vibration of what you are creating. Especially in areas where you are dismantling very stable, dense patterns. You can, through sound, raise or accelerate the vibration of that force field to such a degree that it expands and allows more to be added or to be released from that field in a very quick way.
Jim: So would the application involve becoming clear about the intention and the application and then adding an “a, e, i, o, or u” vowel tone?
Zadkiel: As a tone, yes. Or you could use another vehicle; a bell, a bowl, a drum. That is why the indigenous people in their ceremonies use drumming.The vibration is altered and accelerated and it allows a creative force to take place in a very accelerated way. If you are clearing, you are using the eighth Ray of Creation as a clearing mechanism to clear a very stable pattern. When you start adding sound to that, you accelerate the vibratory level and escalate the clearing process. That is something that I give you to experiment with.
Jim: I will. This is great.
Zadkiel: You still are able to clear just using the Rays, but by adding sound you add an acceleration that alters the denseness that holds the stable concept in play. In a very accelerated way it alters the denseness of the physical component that holds that concept in place.
As you play with this, you will see the ease which the pattern is altered. You will also begin to see the denseness dissipate and be altered. The actual physical denseness that is held in such a rigid form begins to be altered.
Jim: Very good. If a bell is used, is that bell a tone that flows through the intention? Or is a carrier wave created for the intention flows upon?
Zadkiel: It is a carrier wave. This is a very important concept. When using sound, the actual physical components that are created are carrier waves. Carrier waves are created and used in the physical realm. They alter the physicality itself and the manner in which the rigidity is either formed or loosened or lessened.
Sound is a very key component in the creative process. It is as important as light, color and geometrical configurations. They are all an aspect of the creative process. That is not to say that you cannot create certain things that do not have the sound component, but it is very limiting.
I will now allow you time to experiment and to condense this information in a very useable way. This will be invaluable to your students in dismantling some of the long held patterns they have struggled with for quite some time. Just by adding that component of sound as they work, will make it a much easier process. And a much more escalated process.
Jim: I can see that. I’m very grateful for your assistance. This is wonderful.
Zadkiel: Very good. I am pleased. I will withdraw now. Blessings.
This is an excerpt from a conversation between Archangel Zadkiel and Jim Self in the development of the Mastering Alchemy Lightbody course.
We thank Joan Walker for bringing forth Zadkiel to speak through her. With her collaboration the Mastering Alchemy Level 3 course unfolded.